In between creating some amazing artwork, Chris managed to squeeze some time in to knock out a crowd-pleasing novel, The Phlebotomist (Angry Robot) and still find time for his family, a full-time job, and answer a few questions for me.
To start with, would you like to tell us a little bit about yourself?
Thank you for having me! I live in Dallas, Texas, where all the heat in the world comes from. I spend most of my time being a dad to my six-year-old, and I fill the time gaps writing, drawing album covers, and practicing law.
From artist to storyteller, can you tell us what drew you to writing The Phlebotomist?
I’d been writing novels for several years when I had the idea for The Phlebotomist, though none of them had been published. In fact, I was in the middle of writing a different book when the premise for this one came to me. I was upset about the fast-moving, malignant blend of aristocratic authoritarianism that was spreading through our government and a premise came to mind. I didn’t want to write a straight-up political screed, so I couched it in a dystopian story and tied it to a well-loved trope that I’m not going to disclose because spoilers! Sorry!
Your artwork is stunning, were you not tempted to do the cover for The Phlebotomist?
Thank you! This is an interesting story. One of the first things many of my family and friends said when I told them I had a book coming out was to suggest that I do the cover. If you’ve seen my work, it’s very art nouveau and metal-y, and absolutely NOT the style I wanted for the cover. My only strongly worded desire to Angry Robot was that it be pink and gold. I wanted a book so pink that it burnt people’s eyeballs out. Beyond that, though, I was not tempted to do the cover. Soon, they began sending me their cover mocks. They had taken a medical-illustration style angle, which I had not expected at all, but quickly warmed to. It really was a perfect fit for this story, with its heavy reliance on medical science. Their very patient designer, Glen Wilkins, had mocked up the pink cover with an anatomical heart surrounded by flowers. I loved it, but wanted to tailor the image to my story, and so asked to illustrate it. They agreed and the rest is history! The pinkest book to ever exist!
I can’t wait to read The Last Mandarin, a fast-paced, all-too-real thriller co-written by #1 New York Times bestselling author Louise Penny and award-winning journalist Mellissa Fung, global politics become personal for two unlikely heroines.





